Shakespeare. The Art of Interpretation

International multidisciplinary conference "Shakespeare. The Art of Interpretation" (58–60 Galernaya Street).

Program

9:30–10:00am Registration

10:00–10:15am Conference opening

10:15am–12:00pm Morning Session

Oleg Gabyshev (St. Petersburg Eifman Ballet) "Reflections on Shakespeare in Movement"
Natalya Zlobina (Rimsky-Korsakov St. Petersburg State Conservatory; St. Petersburg State Institute of Culture and Arts) "Shakespeare's Juliet in Choreographic Interpretation"
Miriam Hasikova (Palacký University Olomouc, Czech Republic) "The Ballet 'Othello' as the Example of Both Artistry and Politics in Czechoslovakia in the Second Half of 20th Century"
Kimberly Glassman (Concordia University, Canada) "The Bifocality of Dance in Shakespeare's 'Twelfth Night:' An Analysis of Shakespearean Dance Adaptations"

12:00–12:30pm Coffee break

12:30–2:00pm Afternoon session

Irina Burova (SPbU) "Shakespeare's Last Will and Testament: A Domain of Enigmas"
Tatiana Boborykina (SPbU) "Shakespeare's Motif in the Works by Oscar Wilde"
Rebecca Cole Heinowitz (Bard College, USA) "Radical Violence: The Specter of Hamlet in Percy Shelley's 'The Cenci'"
Andrey Yuriev (Russian State Institute of Performing Arts) "Ibsen and Shakespeare"

2:00–2:30pm Lunch

2:30–4:30pm Afternoon session

Gennady Stadnikov (Herzen State Pedagogical University of Russia) "H. Heine on Shakespeare"
Olga Ushakova (Tyumen State University) "Shakespearean Masks in T. S. Eliot's Poetry"
John Taylor (SPbU) "Shakespeare in the 18th Century Popular Literature"
Valery Timofeev (SPbU) "Iris Murdoch's 'The Black Prince:' A Self-Portrait of the Author Reproduced as William Shakespeare Appearance"
Dmitry Travin (EUSP) "Shakespeare as a Sociologist"

4:30–5:00pm Coffee break

5:00–6:20pm Evening session

Inna Nekrasova (Russian State Institute of Performing Arts) "French Theater of the 18th Century on the Approaches to Shakespeare's Tragedy"
Olga Markaryan (Russian State Institute of Performing Arts) "Shakespeare as a Starting Point in the Changing Theory of Tragedy: Germany, Late 18th—Early 19th Century"
Tatiana Tkach (Russian State Institute of Performing Arts) "Looking for the First studio and MHAT-2 in Shakespeare's Space: From Joy of the Game to the Model of Creation"
Maksim Gudkov (SPbU) "'What's Shakespeare to them?:' Experience of the American Group Theatre"

6:20–6:30pm Coffee break

6:30–8:00pm Evening session

Adhaar Noor Desai (Bard College, USA) "Shakespeare. The Art of Re-reading"
Danila Korogodsky (Theater of Generations) "How I Directed Plays by William Shakespeare and How William Shakespeare Directed Me"
Ekaterina Tkacheva (St. Petersburg University of the Humanities and Social Sciences) "Interpretation of Shakespeare's Plays in German Theater of 1910s–1930s"
Orlin Stefanov (Union of Bulgarian Scholars, Bulgaria) "'Theater of Polonius? Or, Theatre of Hamlet!"

10:00am–12:00pm Morning session

Olga Dzhumaylo (Southern Federal University, Rostov-on-Don) "Mirror Poetics: Metatextual 'Hamlet' (2000) by Michael Almereyda"
Zhamila Dvinyatina (SPbU) "Unfilmable Shakespeare"
Elena Dotsenko (Ural State Pedagogical University, Yekaterinburg) "'Shakespeare's' Screenplays by Tom Stoppard"

12:00–12:30pm Coffee break

12:30–4:00pm Afternoon session

Geoff Lehman (Bard College Berlin, Germany) "Shakespeare's Phenomenology of Perspective"
Nikolai Zakharov (Russian State University for the Humanities, Moscow) "Portrait Images of Shakespeare"
Ivan Chechot (SPbU) "The History of German Annexation of Shakespeare. Julius Langbehn"
Maria Chernysheva (SPbU) "Shakespeare's Significance for the French Romantic Painters Psychoanalysis"
Nina Savchenkova (SPbU) "The problem of Psychoanalytic Interpretation of Shakespeare's Works"
Elena Khodorkovskaya (SPbU) "'Shakespeare' as a Concept of Critical Music Discourse in Romantic Era"
Nadezhda Markaryan (Russian State Institute of Performing Arts) "Shakespeare and Tchaikovsky's Symphonic Style"